Reflections on the Strada Challenge
This year, because I was in the middle of learning oil painting, I decided to focus entirely on oils. Since September is still a bit too warm for comfortable plein air painting in Tucson, I worked primarily in my studio from still life setups. I built a simple shadow box from black foam core and arranged fruit, painting supplies, and other objects from around the studio. I also managed to complete a handful of plein air paintings during the month.
Over the years, I’ve found that the key to a successful month-long painting challenge is having a plan. I make sure my calendar leaves time to paint every day, and I prepare a list of painting prompts so I always have a subject ready when it’s time to begin.
Stepping back, though, I think it’s important to decide what success really looks like. For me, success isn’t about completing thirty paintings or winning a prize. This year, it was about diving into oils and doing it every day helped to grow my skills.

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